By Anne McCaffrey
"I needs to locate my very own kind!"Found as an baby drifting in area, Acorna, the Unicorn woman, has turn into a tender girl. She nonetheless has her tiny, translucent horn, and her "funny" ft and fingers. And, she nonetheless has her fantastic skill to make vegetation develop and heal human sickness.
But Acorna has unusual goals of a steady people who mind-speak by means of touching horns. together with her "Uncle" Calum, one of many 3 grizzled asteroid prospectors who rescued, safe, and raised her, she units off to discover her humans. No does she go away than a mysterious craft seems, piloted by means of the Linyaari, a gradual race with telepathic powers.
The Linyaari are roaming the galaxy, spreading the alarm in regards to the lethal Khleev--And trying to find a liked little lady that they had given up for misplaced, lengthy ago...
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Additional resources for Acorna's Quest (Acorna, Book 2)
47. 33. ’ p. 23. 34. Ibid. p. 25. 35. Ibid. p. 26. 36. Ibid. p. 19. 37. Ibid. p. 17. 38. Ibid. p. 20. 39. Ibid. p. 19. 40. Ibid. p. 20. 41. Ibid. pp. 35–36 The use of ‘barrier’ here relates back to Cavell’s earlier terminology, rather than being a term offered in Perkins’ argument specifically. 42. Perkins Film as Film p. 63. 43. Ibid. 44. Ibid. p. 70. 45. Ibid. p. 122. 46. Ibid. pp. 122–123. 38 | alternative worlds in hollywood cinema 47. 48. 49. 50. 51. 52. 53. 54. 55. 56. 57. 58.
Ibid. p. 33. Ibid. Cf. Ian Christie The Last Machine: Early Cinema and the Birth of the Modern World London: BFI Publishing, 1994, p. 15. A later film, The Countryman’s First Sight of the Animated Pictures (R. W. Paul, 1901) would seem to play on the fun of this effect by having a country ‘yokel’ in the film, watching an image of a train approach and reacting in the melodramatic fashion befitting one who thinks the train might race out beyond the screen and plough into him. Branigan, p. 33.
58 If 30 | alternative worlds in hollywood cinema we apply this terminology to the study of alternative worlds in film, we see that each of the films presents different manifestations of heterogeneous worlds, in that they harbour more than one world order. Yet, each film creates a relationship between the two worlds, thus unifying them in the story and evading arcane rupture. The relationship that the film maintains between the disparate worlds creates meaning and significance. The creation of meaning and significance, surely, is not merely the aim of Hollywood cinema, or even cinema itself, but a standard objective of storytelling.
Acorna's Quest (Acorna, Book 2) by Anne McCaffrey