By Ivan Yefremov
Andromeda is a unique in regards to the way forward for mankind. It depicts with really awesome scope the exceptional bloom of technological know-how and expertise and the increase of a brand new social order, and portrays the Universe within the so-called period of the nice Circle, while Earth may have consistent conversation with space.
Written in 1956, at the eve of the 1st makes an attempt at house exploration - while the observe "cosmonaut" nonetheless belonged completely to the area of technology fiction - the radical has lengthy due to the fact that turn into well known during the global. it truly is symbolic that, at the day of the launching of the 1st Earth satellite tv for pc, readers congratulated Yefremov at the dawning of the period of the good Circle.
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Extra resources for Andromeda: A Space-Age Tale
47. 33. ’ p. 23. 34. Ibid. p. 25. 35. Ibid. p. 26. 36. Ibid. p. 19. 37. Ibid. p. 17. 38. Ibid. p. 20. 39. Ibid. p. 19. 40. Ibid. p. 20. 41. Ibid. pp. 35–36 The use of ‘barrier’ here relates back to Cavell’s earlier terminology, rather than being a term offered in Perkins’ argument specifically. 42. Perkins Film as Film p. 63. 43. Ibid. 44. Ibid. p. 70. 45. Ibid. p. 122. 46. Ibid. pp. 122–123. 38 | alternative worlds in hollywood cinema 47. 48. 49. 50. 51. 52. 53. 54. 55. 56. 57. 58.
Ibid. p. 33. Ibid. Cf. Ian Christie The Last Machine: Early Cinema and the Birth of the Modern World London: BFI Publishing, 1994, p. 15. A later film, The Countryman’s First Sight of the Animated Pictures (R. W. Paul, 1901) would seem to play on the fun of this effect by having a country ‘yokel’ in the film, watching an image of a train approach and reacting in the melodramatic fashion befitting one who thinks the train might race out beyond the screen and plough into him. Branigan, p. 33.
58 If 30 | alternative worlds in hollywood cinema we apply this terminology to the study of alternative worlds in film, we see that each of the films presents different manifestations of heterogeneous worlds, in that they harbour more than one world order. Yet, each film creates a relationship between the two worlds, thus unifying them in the story and evading arcane rupture. The relationship that the film maintains between the disparate worlds creates meaning and significance. The creation of meaning and significance, surely, is not merely the aim of Hollywood cinema, or even cinema itself, but a standard objective of storytelling.
Andromeda: A Space-Age Tale by Ivan Yefremov