By John Felstiner
ISBN-10: 0300137508
ISBN-13: 9780300137507
Poems vivifying nature have gripped humans for hundreds of years. From Biblical times to the latest, poetry has always drawn us to the wildlife. during this thought-provoking e-book, John Felstiner explores the wealthy legacy of poems that take nature as their topic, and he demonstrates their strength and wonder. In our personal time of environmental crises, he contends, poetry has a different potential to revive our awareness to our surroundings in its imperiled country. And, as we take heed, we may perhaps develop into higher stewards of the earth.In 40 short and lucid chapters, Felstiner offers these voices that experience such a lot strongly spoken to and for the wildlife. Poets—from the Romantics via Whitman and Dickinson to Elizabeth Bishop and Gary Snyder—have helped us envision such information as ocean winds eroding and rebuilding dunes within the similar breath, wild deer freezing in our presence, and someone carving initials on a still-living stranded whale.Sixty colour and black-and-white photos, many noticeable for the 1st time, bearout visually the environmental mind's eye this publication discovers—a poeticlegacy extra important now than ever. (20090817)
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Extra info for Can Poetry Save the Earth?: A Field Guide to Nature Poems
Sample text
Who is saying “Christ! if my love were in my arms”? A straw vote, even nowadays, would elect a man: voyager, rough oath, sexual assertion, claiming a voice. But why so? ” A good way to sing love into nature. Lasting ten seconds, the simplest words have lasted centuries, joining nature’s force to human feeling through a silent metaphor. “Western Wind” holds the germ of much poetry to come. ” When William Blake (1757–1827) echoed this biblical cry, he might have been thinking of the mad visionary Christopher Smart.
And usually, once an image has done its job—wind shows the force of longing, rain the release of tension—we leave that image behind (otherwise Robert Burns’s love “like a red, red rose” might sprout thorns). But in “Western Wind” the speaker desires both halves equally, fair weather and a fair friend. Without signaling as much, these lines bind the molecules of metaphor. ” Drawn from nature, they tie humankind in one with that world. Yet they do something else. ” But metaphors shock us, saying outright something that’s not true.
You can hear and see the melody reaching its highest pitch and longest hold at the very thought of “bed,” then hastening home on a wavelike cadence, eight notes running through one syllable: “a- gai . . ai . . ai . . ai . . ai . . ai . . ai . . ” (plate 3) “Western Wind,” sixteenth-century manuscript. The British Library Board. All rights reserved, A601. 28 Elemental as it is, “Western Wind” opens a way to endure time and circumstance, aloneness and longing, or at least to give them shape, grasp them in rhythmic form, which is poetry’s perennial job.
Can Poetry Save the Earth?: A Field Guide to Nature Poems by John Felstiner
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